As a UT employee, I’m thrilled to be able to use its resources to continue my composition. Even as a Case Western student, continuing my studies was impossible because I was not in the music major brotherhood. Since taking composition classes was out of the question, learning was limited to me versus a couple aged books from a one-room music library.
A year later, the horizons have broadened. I’m no closer to taking music major classes, and that will probably never change. Instead, I have been given no less than a free pass to a warehouse of music. I park in front of Bass Concert Hall without fear of getting ticketed, wander aimlessly through n-thousand scores, and check out all the texts I want for four to six months. Not days or weeks…months! That’s a semester-long hold.
I had a trial run tonight. I flipped through a reproduction of a 200 year-old score and invested in several volumes about counterpoint: J.J. Fux’s (hold your snickering) The Study of Counterpoint (used by many of the old masters themselves), Walter Piston’s Counterpoint, and Kent Kennan’s Counterpoint. Maybe I’ll toss in a few words here about each volume as I peruse them.